吴华

小传：

北京人。插过队，做过工，1982年大学毕业，1985年到加拿大留学。1987年获多伦多大学比较文学硕士，1993年获中国文学博士，1993到1995年在母校作博士后。1995年起至今在西安大略大学休伦大学学院任教，现为该校国际学系副教授，主持汉语教学工作并教授中国语言、文学、文化课程。治明清小说、小说批评及中西叙事学理论的研究。

书籍：

吴华, 孙博, 诗恒主编《西方月亮－加拿大华人作家短篇小说精选集》,《叛逆玫瑰－加拿大华人作家中篇小说精选集》, 水牛出版社, 2004。

学术著作：

“前言”, 《西方月亮－加拿大华人作家短篇小说精选集》, 《叛逆玫瑰－加拿大华人作家中篇小说精选集》, 水牛出版社, 2004, 9-19页。

“Bottom line, 学生需求与课程设计探析”, 《云南师范大学学报》(对外汉语教学与研究版) 2004年增刊, 442-445页。

“Vindication of Patriarchy: Chen Tianchi’s Ruyijun zhuan as a Critique of the Ming Ruyijun zhuan” in Snake’s Legs: Sequels, Continuations, Rewritings and Chinese Fiction (1600-1911). Ed. Martin W Z Huang. University of Hawai’i Press 2004. 190-209.

“金圣叹论创作”, 《保定师范学院学报》2002年第1－2期。

“Through the Prism of Male Writing: Representation of Lesbian Love in Ming-Qing Vernacular Literature.” Nan Nü: Men, Women and Gender In Early and Imperial China 4.1 (2002): 1-34.

“Theory and Practice: A Meta-Discourse on Chin Sheng-t’an’s Shui-hu chuan Commentary.” Tamkang Review 27.3 (1997): 311-41.

“对金圣叹小说理论的理论探讨”,《文艺理论研究》1997年第3期, 2-16页。

"From Xiaoshuo to Fiction: Hu Yinglin's Genre Study of the Xiaoshuo." Harvard Journal of Asiatic Studies 55.2 (December 1995): 339-71.

"Paradox Lost in Retroactive Reading," East Asian Forum 1 (October 1992): 1-22.

"The Structuring of Fictional Worlds of Western and Chinese Romance," Style 25.2 (Summer 1991): 251-64.

"芮法泰的符号诗学与鲁迅的《死火》”,《中国文化与中国哲学》, 北京：三联书店, 1991年, 316-338页。

"《死火》的符号学解读", 《鲁迅研究动态》1989年第12期－1990年第1期。

"The Concept of Parallelism: Jin Shengtan's Critical Discourse on The Water Margin," Poetics East and West, edited by M. Dolezelová, Toronto: Toronto Semiotic Circle, 1988-1989, 169-71.

书评：

Review of John and Alex Dent-Young, trans. The Broken Seals: Part One of The Marshes of Mount Liang, Hong Kong: The Chinese University Press, 1994. China Review International 4.1 (Spring 1997): 116-118.

Review of Jin Yong's Fox Volant of the Snowy Mountain, translated by Olivia Mok, Hong Kong: The Chinese University Press, 1993. China Review International 2.1 (Spring 1995): 94-98.

Review of Marson Anderson's Limits of Realism: Chinese Fiction in the Revolutionary Period, University Of California Press, 1990. Asian Thought and Society: An International Review 15.47 (May-September 1991): 166-167.

翻译：

米列娜, “创作崭新的小说世界：中国短篇小说1906-1916”,《晚明晚清历史传承与文化创新》, 武汉：湖北教育出版社, 2002年, 482-502页。

泰戈尔,《回忆》, 太原：北岳文艺出版社, 1994年。

杜列西, "西方诗学的三个专题及其模式", 《中国文化与中国哲学》, 北京三联书店, 1991年, 366－378页。

孔汉斯, 秦家懿, 《中国宗教与基督教》, 北京：三联书店, 1990年。（简体版）

孔汉斯, 秦家懿,《中国宗教与西方神学》, 台北：联经出版事业公司, 1989年。（繁体版）

泰戈尔, "鹦鹉的故事, 驯马, 老人的鬼魂, 大道理",《名作欣赏》, 1985年第5期, 41－47页。

帕达查丑, "夕照残晖", 《译林》, 1984年第4期, 188－193页。

乔笃黎,《四个朋友的故事》, 太原：山西人民出版社, 1984年。

林培瑞, "妖怪与神灯－革命相声",《编译参考》, 1981年第2期, 80－87页。

宣读学术论文：

“Translation, Meaning in Context and Communicating Difference: Texturizing and Contexturalizing Jing Ke’s Assassination Attempt on the King of Qin,” invited lecture for Interdisciplinary Studies 021E, presented in February, 2005, Huron University College, London, Canada.

“海外汉语教学的性质”, 蒙特利尔《第一届全加“汉语桥”中文教学会议》, 2004年12月。

“加拿大大学本科院校的汉语教学”, 多伦多《安曼省汉语教学协调会》, 2004年9月。

“汉语课程设计诸因素探析”, 昆明《第四届国际汉语教学学术研讨会》, 2004年6月。

“Corpses on Display: Representations of Torture and Pain in the Wei Zhongxian Novels,” presented in April 2004 at the Workshop “Of Trauma, Agency, and Text: Discourses on Disorder in Sixteenth- and Seventeenth-century China,” McGill University, Montreal, Canada.

“An Improbable Lover: Rewriting the Wei Zhongxian Story in Taowu xianping,” presented in March 2004 at the 56^th Annual Meet of the AAS, San Diego, USA.

“Corpses on Display: Literary Representation of Torture and Political Killing,” presented in March 2003 at the Symposium “The Question of Violence,” the Centre for Chinese Studies, University of California, Berkeley, USA.

“Developing a Chinese Language Program at a Canadian Liberal Art College,” presented in June 2002 at the Symposium “Teaching Chinese as a Foreign Language, China-Canada,” Centre for Asian Studies, University of British Columbia, Vancouver, Canada.

“Vernacular Historical Novels on Dynastic Transitions in the 17th and 18th Century: the Wei Zhongxian Series,” presented in August 2001 at ICAS 2 (International Conference of Asian Scholars), Berlin, Germany.

“Regulating Sexuality, Rectifying Patriarchy, And Reestablishing Order: Chen Tianchi’s Ruyijun zhuan as a Xushu,” presented in March 2001 at the 52^nd Annual Meeting of the AAS, March 2001, Chicago, USA.

“A Fantasy of Perfect Order and Success: The Case of Ruyijun zhuan,” presented in March 1999 at the 51st Annual Meeting of the AAS, Boston, USA.

“Disorder in Heaven and Narrative Order: Opening Strategy in Traditional Chinese Novel,” presented in June 1998 at the conference Violating Harmony: Disorder in Chinese Culture, The Centre for Chinese Research Institute of Asian Research, University of British Columbia, Canada.

“Relevance of the Irrelevant: Self-Projection of the Critic in Jin Shengtan’s Shuihu zhuan Commentary,” presented in March 1998 at the 50th Annual Meeting of the AAS, Washington D.C., USA.

“The Refracted Female Voice and the Censoring Male Voice: Reading Literary Representation of Lesbianism,” presented in December 1997 at the Symposium in Honour of Professor Patrick D. Hanan, Harvard University, Cambridge, MA, USA.

“Before the Fall: Thematics and Typology of the Supernatural Prologue Tale,” presented in October 1997 at the New England Conference of the Association for Asian Studies, Wesleyan University, Middletown, CT, USA.

“Prologue and Prolepsis: The Opening Strategy in Traditional Chinese Novel,” presented in March 1997 at the 49th Annual Meeting of the AAS, Chicago, USA.

"From Xiaoshuo to Fiction: Hu Yinglin's Genre Study of the Xiaoshuo," presented in April 1995 at the 47th Annual Meeting of the AAS, Washington D.C. USA.

"Jin Shengtan and the Maker of the Text," presented in April 1991 at the 43rd Annual Meeting of the Association of Asian Studies, New Orleans, USA.

"Jin Shengtan: Parallelism in Plot Construction and Characterization," presented in October 1988 at the New England Conference of the Association for Asian Studies, Wesleyan University, USA.

"The Concept of Parallelism: Jin Shengtan's Critical Discourse on The Water Margin," presented in June 1987 at the colloquium Poetics East and West, ISISSS 87, Toronto, Canada.